Galerie Fenna Wehlau - symphony of colours and shapes
september 7th until october 25th, 2024
OPENING friday, september 6th 2024, 7pm
the artists will be present
with Stefan Stefinsky on the saxophones
Long opening hours for OPEN ART MUNICH GALLERY WEEKEND on Saturday, 7 and Sunday, 8 September 2024 from 11 am - 6 pm
Artlovers Apéro 18th, 25th September, 9th October, 5 - 7 pm
Programme accompanying the exhibition
non-seated concert with Steffen Wolf, tenor and Ulf Dressler, lute instruments on 25 September 2024 from 7 pm
‘I am in love with a dream’
Baroque songs, songs and arias about love and its facets
Works by José Marin, Claudio Monteverdi, John Dowland, Jakob Kremberg,
Pierre Guédron and others
Admission €15, please register by 22.09.24
Wine tasting with Vineasten on 22 October 2024, 7 pm
To kick off the 24/25 season, we are delighted to present a "symphony of colours and forms" by the gallery's artists in a variety of artistic positions expressed in the mutual harmony of paintings, works on paper and sculptures. True to the motto:
"Opposites and contradictions, that is our harmony." (Kandinsky)
almost weightless, pink-coloured bioism sculptures that unite to form a large biofuturistic organism
Ink drawings by Christine Brunella from the Dryads series
Eisvogel’s home R2309 & Eisvogel’s home, R2309
2023
Acryl, Holz, Harz • je15 x 30 x 3 cm
Ink on paper on wood under synthetic resin • 40 x 40 x 3 cm
Ink on paper on wood under synthetic resin • 40 x 40 x 3 cm
Sliding boxes and sculptures by Bettina Bürkle, in which colour spaces made up of several layers can be condensed and pulled apart
Aluminium, Acrylglas • 50 x 50 x 50 cm (ohne Sockel)
Aluminium, Acrylglas, LEDs, Netzteil · 50 x 200 x 20 cm
Objects in wood and bronze by Paul Diestel, who is fascinated by the processes of transformation, growth and decay in his work
Perforations and colour field spaces in reflective, fluorescent and translucent materials such as Plexiglas by Selçuk Dizlek
Diverses, fluoreszierendes Plexiglas, verschraubt · 70 x 65 x 6 cm
Mixed Media, LED · 150 x 10 x 6 cm
Pigmentierter Beton, diverses, fluoreszierendes Plexiglas · 48 x 48 x 5 cm
Pigmentierter Beton, fluoreszierendes Plexiglas · 97 x 19 x 8 cm
Powerfully coloured oil paintings and watercolours by Rupert Eder, oscillating between minimalist and complex forms and structures
Intuitive painting by David John Flynn, whose structure is comparable to an intricate jazz piece made up of a repertoire of developed standards and free improvisation
Digitaldruck, Pigmenttinte auf Arches Büttenpapier • je 62 x 52 cm
Pigmente, Wachs und Dammarharz auf Leinen • 130 x 190 cm
Pigmente, Wachs und Dammarharz auf Leinen • je 110 x 90 cm
Reduced stencil drawings by Ingo Fröhlich, created in a meditative, rhythmic process of stringing together and superimposing lines.
Floating spaces by Sheila Furlan, whose poetry and multilayeredness resonate and convey depth
bestickte Seide auf Metallgestell (mit Blau) • 50 x 50 x 8,5 cm
bestickte Seide auf Metallgestell (mit Rot) • 50 x 50 x 8,5 cm
transparente Organza-Seide, Nähgarn • 30 x 30 x 30 cm
Dot paintings by Margit Hartnagel, which are a pulsating, vibrant field full of possibilities and potential, the pure expression of abundance
Pigmente in Weihrauchmilch auf Leinwand • 170 x 160 x 2 cm
Daumenschalentechnik
v.li.: H. 15 cm, Ø 15 cm | H. 39 cm, Ø 20 cm | H. 35,5 cm, Ø 12 cm
Pigmente in Weihrauchmilch auf Leinwand • 60 x 60 x 2 cm
Pigmente in Weihrauchmilch auf Leinwand • 60 x 60 x 2 cm
Pigmente in Weihrauchmilch auf Leinwand • 170 x 160 x 4,5 cm
Poetic Suminagashis by Carmen Hillers, which are created on the surface of the water and captured by the paper in the moment of moving togetherness
Tusche auf Wasser auf handgeschöpftem Awagami-50 Papie • 48 x 24 cm
Tusche auf Papier mit Zeichnung • 20,5 x 14,5 cm
Tusche auf Wasser auf handgeschöpfte Awagami-Papier mit Zeichnung • 23,5 x 17 cm
Papercuts and watercolours by Andreas Kocks, which draw atonal curves as concave and convex sections or in delicate shades of colour across the sheet
Aluminium leaf on watercolour cardboard • 90 x 83 x 5 cm
Aluminium leaf on watercolour cardboard • 90 x 83 x 5 cm
Freestanding geometric sculptures and wall reliefs in marble by Dieter Kränzlein, whose rhythmic, equated network of sections correspond to the form
Marmor • 15 x 15 x 25 cm
Marmor • 80 cm, Ø 11 cm
Landscape painting by Peter Lang, who applies colour with a string, a network of densely placed, finely colour-coordinated threads
Seismographic drawings from inside
Abstract paintings by Eberhard Ross with finely graded colour gradients and delicate, infinitely filigree networks of lines in which music and painting merge
Öl auf Hartfaserplatte • 60 x 50 x 2 cm, gerahmt (74 x 64 x 5 cm)
Öl auf Hartfaserplatte • 60 x 50 x 2 cm, gerahmt (74 x 64 x 5 cm)
Poetically swinging paintings by Ulrike Seyboth, who wants to express serenity, clarity and balance in her paintings with a painterly tuning fork
Öl auf Leinwand • 190,5 x 190,5 cm
Öl, Mischtechnik auf Leinwand • 140 x 160 cm
Mischtechnik,Collage auf Papier • 110 x 125 cm
Mischtechnik, Collage auf Papier • 100 x 125 cm
Large-format works on paper by Erin Wiersma, created during a performance in the Prairie, express a deep connection with the history of this place, its flora and fauna
charcoal on paper · circa 152,4 x 114,3 cm
Kohle auf Papier • je 66 x 66 cm (gerahmt)
Wooden sculptures by Stephan Wurmer, in which organic growth and constructive design, unity and transparency, chaos and order, movement and light combine to form an aesthetic whole
